About
Priscilla Lo is an independent curator and researcher, based between London and Hong Kong. Her practice spans exhibition-making, programming, facilitation and writing, with a focus on fostering processes and interdisciplinary exchanges. Her recent research explores colonialism and movement through the lens of ecology, and engages with narratives and bodily knowledge as resistant forms.
Her projects have been selected by and presented across institutions in London, such as Forma (2024), CCA Goldsmiths (2023) and Chisenhale Studies (2023). She is currently the Junior Fellow of the MFA Curating programme at Goldsmiths, University of London.
Education
MFA Curating, Goldsmiths, University of London
BA Art History & English Studies, University of Hong Kong
Projects (selected)
2024
2023
2022-23
2022
2021
[Exhibition] 'Strait is the Gate', Goethe-Institut Hongkong, Hong Kong
[Programme] 'Rumbles from the gut', Forma, London
[Workshop] 'The Production of Space', Goldsmiths MFA Curating, London
[Workshop] 'Knowledges: Embodied, Entangled, Reclaimed', Goldsmiths MFA Curating
[Programme] 'Spatial Listening', Goldsmiths CCA, London
[Exhibition & performance programme] 'Pipe Dreams', Chisenhale Studios, London
[Symposium] 'Mystic Ecologies', New Contemporaries 2022, South London Gallery, London
[Programme] 'Postgraduate Studio Sessions', Goldsmiths, University of London
[Programme] 'Hong Kong Visual Art Criticism Incubation Programme 2022', 1a space, Hong Kong
[Performance festival] 'Per.Platform #2: Last days of Chiron Retrograde., Multiple locations, Hong Kong
[Programme] 'Hong Kong Visual Art Criticism Incubation Programme 2021', 1a space, Hong Kong
Published Writings
2024
2022
[Zine] 'Rumbles from the gut - Sow', Forma
[Review] 'A Natural Sanctuary Filled with Contemporary Contradictions – Michelle Tam at "Noble Rot’', Cobo Social